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- Saturday 17th March 2018 − 7.30pm West Road Concert Hall, Cambridge
- French Connections
VARÈSE: Ionisation (A free pre-concert talk at 6.45pm will include a performance of Ionisation for thirteen percussionists, conducted by Finan Jones.)
STRAVINSKY: Symphony of Psalms
POULENC: Concerto for Two Pianos − Soloists: Nicolae Mihaila, Thibault Charrin
RAVEL: Daphnis and Chloé Suite No 2
POULENC: Stabat Mater − Soloist: Margo Arsane (Soprano)
Paris entre-deux-guerres played host to the some of the greatest creative geniuses who ever lived. Throughout the 1920s and 30s, in the salons and concert halls of the French capital, Gershwin and Copland rubbed shoulders with Picasso and Chagall, Gertrude Stein and Ernest Hemingway, Coco Chanel and Nina Ricci. The music of the time was as varied as it was brilliant. In this concert, Stravinsky’s austerely beautiful Symphony of Psalms contrasts with the unabashedly lush sound world of Francis Poulenc.
“My music is my portrait.” Francis Poulenc
“This music is very, very French.” Stravinsky on Poulenc
Related links: Poster (PDF 714 kB); Poster (JPEG 394 kB)
- Sunday 20th May 2018 − 7.30pm West Road Concert Hall, Cambridge
- BERNSTEIN: Symphonic Suite: On the Waterfront
WALTON: Viola Concerto − Soloist: Timothy Ridout
ELGAR: Enigma Variations
2018 marks the centenary of Leonard Bernstein, perhaps the most celebrated of all 20th century musicians: composer, conductor, pianist and educator, Bernstein’s legacy is extraordinary. Though he wrote so many phenomenal stage works – West Side Story, On the Town and Candide among them – Elia Kazan’s 1954 film On the Waterfront was the only movie Bernstein ever scored.
Composed when he was only 26, Walton wrote his Viola Concerto for Lionel Tertis at the suggestion of Sir Thomas Beecham. With its poignantly beautiful opening and thrilling scherzo, the work quickly became one of the central works of the viola repertoire. Timothy Ridout, first-ever British winner of the Lionel Tertis International Viola Competition, is the soloist.
It was at a performance of his viola concerto in 1932 that Walton met Elgar for the only time, 33 years after the Enigma Variations first burst into the world and changed English music forever.
“Music can name the unnameable and communicate the unknowable.” Leonard Bernstein
Related links: Poster (PDF 250 kB); Poster (JPEG 107 kB)
- Saturday 7th July 2018 − 7.30pm Ely Cathedral
- MAHLER: Symphony No 8
Soloists: Judith Howarth (Soprano), Katherine Broderick (Soprano), Paula Sides (Soprano), Heather Shipp (Mezzo Soprano), Madeleine Shaw (Mezzo Soprano), Daniel Norman (Tenor), Michael Druiett (Baritone), Richard Wiegold (Bass)
With the Norwich Philharmonic Chorus
Mahler described his mighty Eighth Symphony as ‘a gift to the whole nation’. Whilst its nickname ‘Symphony of a Thousand’ might be an exaggeration, with eight soloists, several choirs and a truly enormous orchestra, it’s not too far off the mark. In the summer of 1906, Mahler was concerned that his creative powers were failing him. He decided to rest from his usual composing routine, but on his first day of holiday, ‘the Spiritus Creator took hold of me and shook me and drove me on for the next eight weeks until my greatest work was done.’ Based on the Latin hymn ‘Veni Creator Spiritus’ and the final part of Goethe’s Faust, this is a celebration of life, love and the creative spirit.
“Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving.” Gustav Mahler
Box Office DetailsTickets are usually available 6 weeks before each concert.
- Cambridge Live Tickets
- 2 Wheeler Street, Cambridge, CB2 3QB
Tel: 01223 357851 or Email
(Please state clearly which venue you are booking tickets for. This box office charges a 12.5% booking fee.)
- Ely Cathedral Box Office
- The Chapter House, The College, Ely Cathedral, CB7 4DL
Tel: 01353 660349 or Email
(NB: Online payments attract a £1.50 booking fee per transaction, shown at the end.)